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Buy a CD UK - Exit Planet Dust

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List Price: £8.99
Our Price: £2.97
Your Save: £ 0.00 ( % )
Availability: In stock soon. Order now to get in line. First come, first served.
Manufacturer: Virgin
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Average Customer Rating:     

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Binding: Audio CD EAN: 0724384054021 Label: Virgin Manufacturer: Virgin Number Of Discs: 1 Publisher: Virgin Release Date: 1995-06-26 Studio: Virgin
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Spotlight customer reviews:
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Customer Rating:      Summary: in my opinion "THE BEST" Comment: i have all the albums (apart from we are the night) and i think this has to be the best. yes the beats are quite simple, but they are genius! very addictive listening if your in the mood.
tracks 1-6 are quite simply brilliant. "leave home" is a brilliant start to the album and probably their best piece of work. another track is "three little birdies down beats" this is very repetitive, but is a tune which will get you dancing. "f*ck up beats" is basically a follow up beat to "chemical beats" and they both mix in very well. from track 6 onwards the pace of album slows and is more relaxed, track 10 is very weird but is something different to listen to.
if you havent got this album then buy it! i worried that it may sound dated but in reality it doesnt, as a matter of fact it sounds more up to date than most of the trash thats currently out there.
lets hope "we are te night" is a good release and not like the weak "push the button"
Customer Rating:      Summary: a legendary album Comment: Took me a while to buy this, ten years after its release. I thought the beats would be quite dated,which is kind of true,but then it was recorded 12 years ago. It starts off with a stomper ,`Leave Home`. which i first heard 10 years ago, and its a great start. `In Dust We Trust` is ok, has some interesting scratchy sounds. `Song to the Siren` is great,consisting of a whiny female vocal which may sound bad but is good.the next track`3 little birdies down beats` is repetitive but energetic, `fup beats` is kind self explanatory,`chemical beats` is slightly annoying after a while, tracks 7& 8 are slightly dull. `Life is Sweet` is possibly the best track. track 10 is weird, the album finishes with `Arrive Alone` with vocals by beth orton. Possibly the most normal track on the cd. Overall a very dark and disturbing album, unlike anything else out in 1995. i give it 4 stars cos i think tracks 1,3,5 and 11 are worth buying it for. Its not as good as `dig your own hole` but for a debut its good. the beats are slightly dated but are certainly different. Might be a bit weird for some, but if you like messed up beats to be cranked up loud this is for you.
Customer Rating:      Summary: ein klein elevator music?! Comment: For a while I used to believe that the Chem's singles were the only audiable listenable stuf they could produce, and the rest is just to fill in the gaps, but this album prooves otherwise. At times they're tunes can be very scary and one can imagine the madness you can sucumb to on drugs, however I think they're music suggest some drug inspired look into the darkr aspects of the human psyche. This album is not as scary as the likes of setting sun and the surrender album, and is great to listen to if your mashed, sounding more 'chilled' than they're later stuff.
Customer Rating:      Summary: The first and the worst Comment: Released in 1996, this was the Chemical Brothers debut album. Unfortunately, it is also the weakest of the Chem's collections. Not to say that this album is awful - in some instances it is actually very good - but compared with the other musical gems that Ed and Tom have released, this is simply not up to standards. The first 6 songs do not show off what the Chemical Brothers are good at - they are simply a collaboration of uninspiring melodies, slow, tame drumbeats, and a few unusual sound effects. 'Chemical Beats' is a good example of this, having the same dull repetitive bassline throughout the duration of the song, with a few odd vocals thrown in. Of the six, some of them had great potential, for example 'In Dust We Trust' started off with some funky scratching, as well as a dark bassline. This could have been built up to something spectacular, but instead an apathetic beat is added, and that's the end of that. 'Song to the Siren' also isn't that bad, having a powerful drum beat and mysterious siren-like vocals; the best song out of the first half of the album. After hearing these songs, I wasn't entirely optimistic about hearing the second half of Exit Planet Dust. But listening to this half was like stepping into another album. The last 5 songs had what the first 6 didn't - power. They had catchy melodies and lyrics, great drum beats and the funkiness that you expect from the Chemical Brothers. It made me frustrated, as I knew the chemical brothers could produce some top-class tunes, and they proved this in the second half of the album, yet they couldn't do this in the first half. Especially as they had some tunes with a lot of potential. Surprisingly, the songs in the second half are slow and chilled - usually you except the fast-paced 'big-beat' Chem's songs to be the best. Exit Planet Dust, although being the weakest Chem's album, does, in some instances, show off some of their great musical talent. It's just a shame they could only limit it just to one half.
Customer Rating:      Summary: pop Comment: the most poppy of their albums i think. still worth a listen.
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Editorial Reviews:
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A key record of the 1990s, Exit Planet Dust invented the big-beat style that dominated British dance music in the second half of the decade, and it still sounds superb in its own right. Skull-crunching hip-hop loops, fuzz guitar, insistently repetitive spoken samples and thunderous basslines make up the blueprint for one of the most instantly energising albums ever recorded. Many of the titles--"Chemical Beats", "Fuck Up Beats", "Chico's Groove"--are fairly self-explanatory. Others show a level of erudite humour; "Song To The Siren" filches the name of a Tim Buckley ballad for a track more in keeping with the mysteries of a car alarm, while "One Too Many Mornings" is nothing that Bob Dylan would recognise in a hurry. Collaborations with Beth Orton ("Alive Alone") and the Charlatans' Tim Burgess ("Life Is Sweet") add human voices to the brilliant mechanical formula. --David Bennun
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